Finding her, Nick tries to explain that it's over with Chloe, and he only kept Chloe's name on the hotel because changing it would be too expensive. Then Chloe appears (the cold woman from weeks ago). Lucy opens up to Nick, introducing him to her mom Cheryl, who is in a home due to dementia. She tells Nick, who informs her that now he has a mystery backer providing the finance to complete the venue. He tells her Amelia dumped him, and she concludes that they were not meant to be together, as she’s the hero in his love story, and he’s the villain in hers. She asks Nadine for help in breaking up with him. Seemingly about to take it, as she and Max leave together, she has an epiphany. At lunch with Max, he suggests Eva Woolf, who surprisingly offers gallery space. She and Max stay out, talking, and she agrees to a lunch.Īs Nick’s loan falls through, he tells her to rehome her exhibit, so Lucy approaches every gallery she knows. Max is telling her he wants her back when Nick shows up with birthday cake and the men butt heads. After railing on him in Lucy’s defense, Amanda and Nadine head up. Marco (like her roommates) suggests Nick ask her out.Īrriving home at 3 am, they find Max out front. They sing a ‘Don’t Go Breaking My Heart’ duet. Lucy shows Nick New York Magazine mentioning their project, and she tells him about her idea for a ball opening. Shortly thereafter, the three roommates invite Nick, Marco and his wife to a karaoke night birthday bash. While Lucy is alone one day in the hotel-gallery, a cold, blonde woman arrives looking for Nick, and declines to leave a message. Nick rescues her again, saying they’re off to a meeting about their hot new gallery. Browsing in a secondhand-book shop, Lucy sees Max, follows him to a café, and meets Amelia. The money to start the hotel came from his grandma’s inheritance. Seeking furniture and decorations for the gallery-hotel, they pound the streets, reclaiming pieces as they go. She sees first-hand how freeing it is for people to give up their baggage. Lucy shares photos with their stories on social media #BROKENHEARTGALLERY, then posts short videos of people parting with their memorabilia. Meeting and bonding with Marcos, Nick’s friend on the building project, they convince Nick to give her gallery space in exchange for work. Excited, she envisions a chance for New Yorkers to connect over shared loss and humanity. Nick shows up at Lucy’s, inviting her to see something added to the wall. Inspired, she writes a caption, and they jointly come up with the concept of Broken Heart Gallery. He encourages her to hang Max’s tie on an old nail. Renovating his dream boutique hotel for five years, he is out of money and needs help to keep the project going. Lucy and Nick end up at the Chloe hotel, an old YMCA. Nick sees her and steers her outside before she can cause a scene. Unable to sell her mementos, Lucy follows Max and Amelia into a restaurant. Finally, they urge her to clear out her cave of memorabilia from past relationships. For weeks, she wallows in her room, with her roommates’ support. The kind Nick takes her home while she describes the gallery fiasco. At the gallery opening, instead of Max asking her to move in, she is both dumped for his ex Amelia and fired.ĭrunk and despondent, Lucy climbs into Nick’s car, believing it’s her Lyft. Her friends and roommates, law student Amanda and model Nadine, hear her talking non-stop about him. Idolizing her boss, Eva Woolf, she readily provides info about her to her boyfriend and work colleague, Max. Lucy is a young assistant at the Woolf Gallery in NYC. The film was theatrically released in the United States on September 11, 2020, to generally positive reviews from critics. The plot follows a 20-something in New York City who gets dumped by her latest boyfriend and creates an art gallery to display items from people's previous relationships. Executive produced by Selena Gomez, the film stars Geraldine Viswanathan, Dacre Montgomery, Utkarsh Ambudkar, Molly Gordon, Phillipa Soo and Bernadette Peters. The Broken Hearts Gallery is a 2020 romantic comedy film written and directed by Natalie Krinsky, in her directorial debut.
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